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            |  History About Amateur Radio OperatorNU9N, John Anning
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          |  History About 
              Amateur Radio Operator NU9N, John Anningand IcyColors.com Web Site Design
 
 Hi Fi Audio, as far back as I can remember, has been my passion. At age 7, I played 
              with my dad's old 1  7/8 ips 1/4" open-reel tape recorder. I would ham-it-up pretending 
              to be a disc-jockey. Then I graduated to the cassette deck, then again to a 15 ips Teac multi-track recorder and now into some limited but interesting 
              computer based digital recording.
 
 At age 10, my dad bought us kids some CB walkie-talkies and again I was excited, only 
              this time, I was actually On-The-Air! As a musician and songwriter, I saw a need in 1980 to purchase an analog multi-track tape based recording 
              system for the production of my own demo-tapes. This was great fun and very rewarding. My recording skills were being harnessed, as well as my 
              ear for mixing and blending tracks. I also started learning the art of post-production processing such as EQing, Compressing, adding effects, etc... 
              In 1982, I bought my fist real CB, a President Washington. I was hooked!
 
 It wasn't until 1987 that I tested for my amateur novice license. Within a month, I 
              made Extra class and never looked back to CB. I still continued to produce my music, but Ham Radio split my hobby interests in two.
 
 In 1988, my Dad encouraged me to buy a PC Compatible computer. I did, and again, I was hooked! My music/recordings and Ham radio were on hold while 
              I was discovering the art of computing. I was active on the 2 meter band running a full service packet BBS, but that was about it.
 
 One day in 1996, I was tuning across the 20 meter band and heard this guy talking. I thought "whoops, 
              I must have accidentally landed on an AM broadcast memory in my radio." When I realized that it was SSB, I was simply amazed that anyone could 
              produce audio of this caliber! This was my first exposure to 14.178 MHz. (By the way, that guy I first heard on 14.178 MHz was W2ONV) I kept hearing 
              these guys on 14.178 playing with external audio equipment and mini-disc recording systems, "tweaking" this and "tweaking" that. Hey, this sounded 
              like fun! My brain began storming! I loved hi-fi audio, amateur radio, recording and computers. I was hooked and the rest is pretty much history.
 
 This web site was my first attempt at site designing and has been a learning experience. I currently hold A+, i-Net+, CIW Professional Designer 
              and CIW Master Designer certifications.
 
 eSSB Hi Fi audio has been a challenge and there have been many problems to solve. I 
              hope I can assist those interested in producing their SSB hi-fi audio solve their associated problems as well, without having to go through all 
              of the bottles of Extra Strength Excederin that I went through. If I can be of any assistance, please let me know.
 
 73,
 
 -John (NU9N)
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                    |  NU9N eSSB / AM Station Equipment and Configuration: |   
                    | Microphone:
 
 Microphone Preamp:
 
 
 
 Audio Processing:
 Equalizer:
 Compressor:
 Multi-Band Processing:
 Peak Limiter:
 
 Effects Processor:
 
 Mixer / Splitter:
 
 
 
 Audio Transformers:
 
 
 
 Power Supply
 
 Transceiver:
 
 
 
 Amplifier:
 
 Antenna Tuner:
 
 Ant 10/15/20 meters:
 Ant 10~160 meters:
 Ant 10~80 meters:
 
 Recording:
 
 
 AFAnalysis:
 
 RF Analysis:
 
 Linearity Analysis
 
 
 
 Computer Stuff:
 
 
 
 
 Video Hardware:
 
 Monitor:
 
 Audio Hardware:
 
 Keyboard:
 
 Misc Software:
 
 Receiver Audio
 
 
 Reproduction:
 
 
 Misc Hardware:
 
 
 | Shure SM7 dynamic - original version (circa 1987)
 
 Fredenstien V.A.S. solid state mic pre utilizing an OPA2 op-amp, matching input transistors, and an American made steel core output transformer
 
 Behringer DEQ2496 with behringermods.com 
                      mods
 Behringer DEQ-2496 Ultra-Curve Pro (PEQ)
 Behringer DEQ-2496 Ultra-Curve Pro (DYN-COMP)
 Behringer DEQ-2496 Ultra-Curve Pro (DEQ)
 Behringer DEQ-2496 Ultra-Curve Pro (DYN)
 
 Behringer DSP2024P Virtualizer Pro (Sidechained)
 
 Modified Behringer MX 882 Ultralink Pro with AD823 Op-Amp replacements, ground bus improvements, capacitor replacements, and rectifier 
                      mods.
 
 Jensen Iso-Max CI-1RR, Jensen Iso-Max PI-XR,
 Jensen JT-11p-1, Jensen Iso-Max PI-2XX,
 Ebtech Line Level Shifter
 
 Astron VS-35M
 
 Apache Labs ANAN 7000dle (Black version)
 Firmware: Protocol 2 v2.1.18
 Software: Thetis v2.9.0.6 x64
 
 Ameritron AL-80A (Single Eimac 3-500Z Triode)
 
 Palstar AT4K
 
 Telex/HiGain TH7 Triband Yagi @ 70 ft.
 265 Ft. Flat-Top Dipole @ 70Ft.
 280 Ft. Delta Loop @ 65Ft height.
 
 Thetis v2.9.0.6 software internal wave recorder
 32 Bit IEEE Floats direct from receiver output audio
 
 PC-Based - Spectra Plus v5
 
 Thetis v2.9.0.6 software (PanFall display)
 
 CleanRF Technologies RF-D (RF-Demodulator)
 CleanRF Technologies RF-S (RF-Sampler)
 Tektronix 2215 60MHz Oscilloscope Monitor
 
 HP Envy Computer - 9th Generation
 Intel Core i5-9400 2.90 GHz (6 cores)
 1TB solid state drive & 16GB DDR4 Ram
 OS: Windows 11 64bit ver 21H2
 
 Asus GeForce GT 1030 with 2GB onboard Ram
 
 Acer R240HY bidx 23.8-Inch IPS HDMI 1920x1080
 
 Sound Blaster X-Fi Xtreme 24bit / 96kHz Sampling
 
 IBM Model-M 1391401 (1989 Buckling Spring)
 
 iAdobe Audition 3.0 / Spectra Plus v5
 
 Sherwood RX-4010R 60W/ch Stereo Amplifier
 THD: 0.08%, STN: 95dB, FR: 5~60kHz
 
 Headphones: Sony MDR-7506
 Speakers: Optimus STS-100 3-way
 
 Luxo Microphone Boom
 
 
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